Wednesday, March 10, 2010

Coup On Arts – 16 [The Artistic Dance of Bulls]

Then the cow Sitamma moved a side. When Dasaratha came one side, she was turning other side, by dropping her head to the ground showing shy as a bride. Then Rama ox approached the cow. A female singer was singing for Sita and a male singer was singing for Rama. Teams of singers were supporting them.

Rama: Oh! Sitamma! I will give silk saris. Come bride!
[ఓ సీతమ్మ! పట్టుచీరలిస్తాను రావమ్మ పెళ్ళికూతురా!]

Sita: Oh! Ramayya! I don’t need silk saris. I won’t come bridegroom.
[ఓ రామయ్య! పట్టుచీరలొద్దు నాకు రానయ్య పెళ్ళికొడకా!]

Rama: Oh! Sitamma! I’ll give diamond necklace. Come bride.
[ఓ సీతమ్మ! రవ్వల పట్టేడనిస్తా రావమ్మ పెళ్ళికూతురా!]

Sita: Oh! Ramayya! I don’t need diamond necklace. I won’t come bridegroom.
[ఓ రామయ్య! రవ్వల పట్టేడొద్దునాకు రానయ్య పెళ్ళికొడకా!]

Rama: Oh! Sitamma! I’ll give garlands of pearls. Come bride.
[ఓ సీతమ్మ! ముత్యాల దండనిస్తా రావమ్మ పెళ్ళికూతురా!]

Sita: Oh! Ramayya! I don’t need garland of pearls. I won’t come bridegroom.
[ఓ రామయ్య! ముత్యాల దండొద్దు నాకు రానయ్య పెళ్ళికొడకా!]

Rama: Oh! Sitamma! I’ll give my life to you. I never leave you, come bride.
[ఓ సీతమ్మ! నాబతుకే నీకిస్తా. నిన్నుడిచి ఉండనంటా రావమ్మ పెళ్ళికూతురా!]

Sita: Oh! Ramayya! I’ll be with you. I’ll follow you. I will come with you bridegroom.
[ఓ రామయ్య! నీతో నేనుంటా. నీతోనే వస్తా పెళ్ళికొడకా!]

Then the marriage dances were performed. All of the viewers forgotten the time, we wondered by the expressions & body language exhibited by the oxen and cows according to the dialogues, songs and music of artist. How they could remind the movements according to the drama?

All of viewers praised their talent. There was the tradition to give bride and bridal marriage dress i.e. ‘Thalambralu’ dress to the artists in our house. People had given good rewards to them. Though I was young when I watched this dance play of Gangi reddu, but it was penetrated and stored in my mind, Later whenever I watch circus live or on T.V. I used to recall the memory of it.

In circus though the elephant play football, do cycling, the lions and tigers jump through the burning circles, it looks like feats to me. It looks like an action without feeling in my opinion. In circus, the animal’s feats are without the involvement and commitment of animals. The cruel restriction of trainers and the helpless obedience of animals are projecting in the feats. That is the difference between commercial art and idealistic art. Being cows and oxen, by remembering the song, beat, rhythm to show continued dance steps and body movements, is it not wonderful than the adventurous feats of circus? Is it not the art from heart? Such is the saturated level of folk arts of India.

I hope that the ancient and traditional arts of all races, in all over the world seem to be like this only. Like in India, they might be destroyed. That was the coup. To develop their business, the corporate companies had destroyed this entire heritage. By destroying the arts, cinema & T.V. can be developed as monopoly. So that it will be easy to make money. That is the motive of coup, who ever may be in behind this coup, C.I.A. or I.S.I. or Ramoji Rao?

I try to explain this at my level best. The ancient arts, folk arts are direct exhibit arts. Cinema and T.V. are indirect exhibit arts. On stage when a drama is playing by artists, no possibility of dialogue dubbing. If any tape recorder etc is used to give dubbing, the drama will get failure. The artists can’t depend on any other trick or technology except on his or her own talent and capacity.

In cinema, if the artist is not capable to say dialogue, dubbing is available. What is action without saying the dialogue? Again, artist has no need to sing. Play back singing is available. The worst thing is dupe action. If the artists are not capable to do a feat, dupe will perform it. Camera trick can be used for it. But the entire thing will keep under cover and the artist i.e. hero or heroine etc can give image as if they done such adventure. Hence the drama or stage play or direct art is confined with truth and the cinema is confined with false.

The most worst thing, I will explain to you. If the actor is unable to give right expression of angry or sad etc, the cameramen will do another feat as focusing the camera on that actors face in an angle from x0 to y0 repeatedly and the music director do an extra feat by giving repeated music bit for each camera flash. Thus audiences should emboss that the so-called actor had shown so and so expression as the director of the scene forced us to feel such.

As concern as music also, stage show i.e. direct presentation of music can create resonance among the singer and listeners. Both the singers and listeners can share same emotion, same feeling and same wavelength of art. Whatever the emotion of art from the artist, it can be received by the listeners or viewers.

But with indirect presentation i.e. through electronic media such as C.D.s, movies, and T.V., there is no possibility of sharing of emotion and feelings with art among producers of arts and receivers of arts.

Take example of music, some time back, there was a hit album of Shankar Mahadevan and S.P. Bala subramanyam, by name breathless. It was famous and popular. Later it was known, as the singers didn’t sing continuously without taking breath, they recorded it on 7-track system with breaks. But it was heard that some non-popular singer had sang breathless on stage show.

Such that there is high possibility of showing unworthy, incapacity as worthy and capacitive, with electronic media. Actually, with electronic media, we have other advantages such as the art can be preserved permanently though the artists would pass away. Though the great singers, actors like M.S. Subha Lakshmi, Ghantasala, Rafi etc singers, N.T.R., S.V.R., Savithri etc actors had passed away, we are able to enjoy their arts because of electronic equipments.

But there is disadvantage of deceive, cheat such as giving image to non worthy people as worthy artists. As well as we cannot share the emotion, we cannot experience the resonance of art. In fact, the resonance experience among the artists and receiving people is very high, and happiest. It has to be experienced. Nobody can explain about it to anybody.

To experience such feeling, such happing, now the youth and the public are attending discotheques and pubs. But there is no such healthy divine happiness, pure joy in discotheques and pubs because there is the tinge of smokes and liquids such as cigars and liquors.

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