Music! It is a divine power. In Indian Vedic culture, it is considered that this creation of world was initiated from the sound ‘Omkaram’.
As per scientific research also, music has magical power and miraculary power. Music evolves from the deep emotions of human heart, such as extreme happiness or sorrow.
I explain you one small observation in my life. One day one of my neighbor’s sons who were 2 years aged had troubled his mother. She had beaten him; so he was crying with loud voice. Actually, he was too kid to wear dress in full sense. He used to wander with half-nude body. His name was Gang Naidu. With in two minutes, he converter his loud cry in to the then popular song of cinema and was singing.
“దుంబాలే ఆ దుంబలేè”
Its real humming was “Jumbare. Oh jumbare.”
Because he was too kid to pronounce words in perfect, he mispronounced the words of the song and was singing. It was so funny but it was a demo that music evolutes from our deep emotions. If we watch surroundings and nature, we can notice hundreds of demonstrations. Even small kids of age around one year, try to sing songs in their own language, not in their mother language, with their own tune as “Du….th….lala………….”
Music is in the blood of Indians, in the blood of human beings. This is the universal truth. This is experienced by every body all over the world. Each and every person accepts this since centuries.
In Indian culture music had an important role. It was developed as science i.e. Sasthram. So much musical knowledge was recorded in that science. So many singers had strengthened it. It is in continuity till now.
There are unlimited songs, tunes, ideas and feelings in music world, which are suitable to every emotion, every context, and every incident in human life. It is known that music has great influence on our emotions, feelings and tensions. Ultimately, it can control our lives.
That’s why in Indian life style, there is a concept of ‘పని పాటలు’ i.e. work with music. In olden days, when there were no machines to make work easy such as grinders, mixies, tractors instead of mortars and ploughs, while performing work, people used to singin chorus. Those were famous with their co-ordination work names. For example the songs, tunes enjoyed in the work of grinding grains with mortar are known as‘రోటి పాటలు’ i.e. mortar songs; songs in the works of water fetching from the well are known as ‘నూతి పాటలు ’ i.e. well songs, songs in the work with grinding stone are known as ‘తిరగలి పాటలు’ i.e. grinding stone songs; and songs at the work of sowing and planting are known as ‘నాట్ల పాటలు’ i.e. planting songs and songs at the work of thrashing are ‘కోతల పాటలు’ i.e. thrashing songs.
The tunes, lyrics and humming of such songs are suitable to the work and motivate the people who engaged in that work to emit more ability in that particular work. At the same time, it is welcomeble to new talents always. Vennelamma, Venniyalao, Kunalamma, Jabilamma Padalu etc. are best example to this. While doing such works, the team managers of workers should have the skill of management, motivation as well as music.
Music can motivate the three main characters in people i.e. Satwa, Rajassassu and Tamassu. For an example, when drum beat is heard, automatically heart beat will raise in each irrespective of their age. That folk drum beat has genetic or race regarding relation with Indians. May this case is applicable to the people, all over the world; with respective their own music beats.
For each nation, for each race, there will be their own life style; their own metabolism of body, which had developed, depends up on their environment and nature. The food habits, religions, culture, traditions, feelings etc. every feature depends up on the environment of their area. That’s why only, when people adopt the food habits of another environment, after long run, they show negative impacts on those people.
That means by adopting the food habits of other countries, and other environment, we experience disease etc. disadvantage. For example, by adopting Pizza, burger, chocolate and ice cream food habits, and our people experiencing the disadvantage of obesity, constipation and other health problems. By forgetting our own traditional food habits such as Javari, millets, bazra etc. our generation lost strength, and immunity when compared with our previous generation who had taken the traditional food.
I’m not saying that we should not welcome the interaction and influence of other countries culture to ours, but I’m saying that there should be limitations of such interaction and involvements. Wherever there is good, we have to accept it and wherever there is bad, we should eliminate it. Same case is applicable to music and other arts.
When the army of ancient kingdom was ready to do war with other kingdoms, the music songs tunes, which could motivate the achievement motivation, thrust to win in the soldiers, were made to hear by the soldiers. While performing daily exercises of war arts also, same kind of music was heard by them. This was discussed in so many old writings of India. You can examine whether such tunes can motive you are not by hearing them.
Such tunes are still in alive with folk artists such as Burra Kadha, Hari Kadha, Oggu, Padya Nataka, Chekka Bhajana, Kolatam, etc. You can watch their tinge in the old movies also. In now days i.e. after 1992, by movies and albums, such motivate tunes and music we are enjoying. The music in between 1970 to 1992 was terrible, that could drive out the strength of the youth from them, if the music is in-quality and fills the people with in-spirituality, after long time, the nation will become weak because people become lack of enthusiasm and spirits to work, to invent & to think.
For example, the songs from old Maya bazaar movie, ‘Hay Bakta paripala’ etc. and ‘singamalai’ from New Simhadri movie etc. you can verify the spirits could create by such emotional songs. If you observe ‘Yennalu Yennellu’ etc songs of that period of 1970 to 92, definitely you can identify the motive of such tunes in cinemas.
THE STORY TOLD BY MOUNA BHASHINI’S PAYYEDA,
15 years ago
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