Not a single Newspaper, not a single weakly had reminded the people, that the story of Satya HarithsChandra made an ordinary boy as our father of Nation. Moreover, so many satires were there in movies. For example, I quote a film song, I don’t know the name of the Telugu movie in which this song was inserted, but Smt. P. Suseela sung it. It was
పల్లవి: అదేమిటో! ఆడదంటే మగవాడికి అలుసులే
అనాదిగా జరుగుతున్నా అన్యాయం ఇదిలే
చరణం: ఆలిని అమ్మాడొకడు
అడవికి పంపాడొకడు
ఒకడేమో జూదంలో పందెం ఓడ్డాడు ..... అదేమిటో"
That means:
What a strange! Men are careless to women.
Since ancient times, this is the in-justice happening.
One man had sold his wife.
One man had sent his wife to forest
And one man had gambled his wife.
In the first line of the stanza, the writer referred that Satya HarithsChandra sold his wife Chandra Mati Devi. He put such satire by equalizing Satya HarithsChandra to the liquor addicts who are ill-treating their wives by selling them, and to the worst, immoral men who are selling the women to prostitute houses. He didn’t remind that Chandra Mati Devi, willing fully, accompanied her husband HarithsChandra, supported him, motivated him to stand for truth and she, her self-stood to speak truth.
In the second line of the stanza, in this song, the writer referred that Sri Rama sent his wife Sita to forest. He put such satire as if Sri Rama sent Sita to forest for himself. Did Sri Rama enjoy life with another woman or with another marriage after sending Sita to forest? To keep the moral values, both Sri Rama and Sita had sacrificed their lives. To use tongue without limits, without knowing a things is a big mistake and a washer man in Uttara Ramayanam did such mistake. But for the sake of a moral, poor washer man’s blame, both Sri Rama and Sita felt
Responsible and afforded to maintain moral values in the society, By the way they sent righteous signals into the society. The writer of the above song didn’t consider it. Similar reference is there in the case of Dharma Raja in the third line of the stanza of the song.
I don’t know who had written this lyric, who had acted for this, who had directed this film, but it is clear that the motive force or Godfathers are Mr. Ramoji Rao and his agencies only. In the beginning, his activities were far behind the screen, very indirectly. Gradually his Godfather ship is established. This had taken decades of long time. It is quite natural in spying history to plan, to implement, and to wait, for result for such long time as decades and sometimes as centuries.
Not only this type of songs, such screens, such stories, such arguments, such jokes in movies, in News items, in literature and where ever it is possible had propagated until they change the attitude of public from positive thinking to negative thinking, from good to bad, from patience to revenge, from love, co-operation, and co-ordination to hatred. This is the slow poison of spying.
Otherwise, vigorous protest will happen if one Salmon Rashdi or one Thaslima Nasrin writes against Islam. Fatwa’s will release to kill such critic making writers. Nobody will critic on any concept of Christianity and on any other religion. Then why Hinduism became such a cheap or easy approach to make jokes, critics and satires?
THE STORY TOLD BY MOUNA BHASHINI’S PAYYEDA,
15 years ago
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